Learn to sing: some tips for breathing

Many know it, some people guess it or feel it, working their breath like a runner or swimmer in training is the basis of a firm, coordinated and well-timed voice. Two main actors of breathing for singing are used, alternate and complement one another. The final goal of the exercises is to move from natural breathing to support breathing (appoggio in Italian). Tips for working on your breathing and learning to sing? It’s here and right now!

Thoracic breathing

Instinctive, natural and innate, we live thanks to her and through her: no lungs, no breathing, no life! Whether it is to utter words or sounds, the first step to working your breath for singing is to remove any stressful or noisy atmosphere that prevents relaxation and inner peace. As long as the body and the bust remain contracted, stiffened or poorly positioned, the sound will pass only for essential uses: to speak – more or less well – to express oneself, but in no case to sing with amplitude.

The flow of air expelled by the rib cage comes from a familiarization with his body: as long as we do not feel the urge to breathe deeply , calmly, regularly, in a serene space and that encourages relaxation or relaxation. decompression, nothing is done. As soon as you have found your Paradise Corner, test yourself simply and gently.

Learn to control your breath to better sing

Sitting, cross-legged or kneeling, on a chair or ottoman, take control of your breathing pattern after inhaling or inhaling deeply and without forcing. The position of the chest should always be straight and not too stiff to maintain your air absorption capacity. Little by little, you feel after each inspiration / aspiration, the next one becomes more ample and more developed. Your bust is recovering instinctively, after trial early trial. Prolong the exercise as long as the feeling is done with ease , and increases your air volume. Stop as soon as tension and fatigue hunch your bust and disrupt your breathing. 

Learn to relax

Once perfectly comfortable in your preferred posture, place both hands on your chest, just below your chest, and after gently pressing the time to feel the ebb and flow of your breath, spread them backwards your bust until you feel your shoulders perfectly parallel. Release gently and repeat a dozen times, without seeking effort, but getting to know the muscles that move under your hands. After several days of the same exercise, you instinctively find the right position and your hands barely touch your muscles already sensitized.  

Abdominal breathing

Child or adult, for those who want to develop their breathing for singing , the abdominal breathing advocated and encouraged for centuries as a discipline even more important than the control of thoracic breathing, is today considered the “second brain” of body. Thoracic breathing and abdominal breathing, for singing, are two indispensable accesses for our body to coordinate and coexist, to help each other, to harmoniously and powerfully develop the amount of air you need to channel and control your voice. This supportive breathing is essential to learning singing.

To get to know the capabilities of your abdomen, you need to tame it before looking for control. Just like for chest breathing , look for the comfortable time, position and location that allows you to be in complete relaxation, without the risk of being disturbed by the idea of ​​an urgent appointment in follow-up of the exercise or a noisy environment. The exercise will be done, again, the back straight but sitting posture pleasant as for chest breathing.

Practice belly breathing

The learning of abdominal breathing involves touching and discovering your diaphragm, just below the ribs. Rotate your palm flat, pressing gently, and moving your hand in a clockwise direction. After several “dial turns” your breathing increases, your abdomen swells and relaxes at a steady pace and soothed by the movements of your palm.

The bust and the head straight, erase the shoulders well, breathe and exhale open mouth very quickly. Before resuming breathing at a more normal pace, put your hands flat on your abdomen from the first breaths of air accumulated at high speed: when the belly is flat to the inspiration and the feeling of swelling during the exhalation – not inspiration – press the abdominal buoy firmly and steadily until it clears from the accumulated air during exercise.

A supportive exercise that needs to be worked on regularly and understood in the opposite way to thoracic breathing where inspiration fills the lungs with air as they empty at expiration.

Some well-understood regular tips to work out your breathing for singing and develop a large and modulated vocal capacity also go through the knowledge of your body and its amazing channeling abilities!

The impact of abdominal breathing on singing

The purpose of abdominal breathing is to obtain a continuous, firm sound in one exhalation. So that the sound, the note or the speech is maintained, these breathing exercises for singing simple but maintained daily at home, allow rapid progress, so well demonstrated and directed during a course of professional singing, for a good practical evolution in solo.

You have optimized your breathing pattern? you get a fully rounded voice that will surprise you with its firmness and stability! Do not look for the Counter-Ut! Only the quality of tessitura account, especially in very soft and low intensity melodies where the accumulated work of thoracic and abdominal breathing will feel then fully.

At what age can my child start music?

To love music is natural, it’s innate. Everyone loves music, from an early age. There are plenty of studies showing that babies respond to all forms of music from the moment of pregnancy. Many future moms say they feel their child move in their belly as soon as they hear music! Babies dance before they know how to walk, usually around 10 or 11 months.

You have also probably heard or read a lot of information about all the benefits of music ! Children who learn music develop their creativity, learn autonomy, perseverance, learn to overcome their shyness, and so on.
It is therefore normal for parents to consider how to cultivate your child’s growing interest in music .

Introducing baby to music: musical awakening

If at 10 months your baby dances when he hears music, or tirelessly beats your pans with a wooden spoon, we’re sorry to tell you that, that does not mean he’s a little Mozart. No need to rush to buy a piano!

On the other hand, to introduce your toddler to the music smoothly, it can be interesting to register it to sessions of musical awakening in group. Incidentally, crèches, day-care centers and kindergartens often bring “musicians involved”, that is to say, professionals of musical initiation to the little ones. From the age of 4, you will be able to enroll it in individual music lessons .

Your children will be invited to listen to music adapted to their age and to react to it with physical exercises: to dance, to clap their hands, to send a balloon in rhythm etc.

They will also discover the joy of singing, but do not expect them to sing right! Their voice is still too fragile. They have the opportunity to discover and touch various instruments such as the xylophone, the maracas, the recorder…

Is my child ready to start music lessons?

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The children are all different, how many times have you heard this sentence? For music, it’s the same thing. As with everything else, you need to listen to your child.

First clue: did your child ever tell you about taking music lessons? If your 8 year old son has been tanning you for years to start the piano, without changing his mind, it is clear that you will have a hard time dissuading him from playing music. Explain to him how his apprenticeship will take place: he will be able to take classes either at the conservatory, music school or in private lessons. His music lessons will be held regularly, usually once a week. Depending on the structure chosen, he may have to attend music theory lessons in addition, or his instrument teacher will teach him music theory at the same time as the instrument. But above all, he must realize that music is a personal work : he will have exercises to work on his side, if possible every day. That said, if he is motivated, it will not hurt to get into it every night after school. Very quickly, he will learn songs, that he will have pleasure to play the evening or the weekend.

However, you probably know that children have a certain ability to change their mind … Do not rush either the first time he tells you to learn the tuba … Discuss with him his project. Ask him why he wants to make music : to do like his friends? To play a piece of guitar that pleases him? Because he fell in love with the accordion? If his interest is very sudden, give him time to mature his project. He must understand that learning music can bring him a lot of joy but that instrumental lessons are also a personal investment, a real responsibility.

Do not forget that a musical instrument is a precious asset, entrusting your child with a clarinet or accordion is a real responsibility: he will have to maintain it, clean it, store it carefully. If you plan to enroll your child in violin lessons at 3 or 4 years old, and you think he will not be able to take care of his instrument, it is certainly too early: offer him a musical awakening. Even later, do not hesitate to stress this point with him because he will have to be aware of it. But soon you will see that he will fall in love with his instrument and it will be difficult for someone else to approach him: musicians are often very possessive with their equipment!

And if he does not speak to me?

Conversely, it is not because he does not tell you that he does not think about it. Some children are shy even towards you. We have a lot of adult beginners who tell us that they never dared to ask their parents cello lessons that made them dream … Maybe your child does not dare to assume his sensitivity, his artistic fiber? Or is he afraid of not getting there? This is true for both boys and girls, especially in pre-adolescence and adolescence.

Maybe he just does not think about music lessons as an extra-curricular activity. According to different studies, it seems that “only” 10 to 15% of students would practice music. Yet those who practice music are delighted and derive benefits that they will use throughout their lives, without necessarily becoming a virtuoso . Do not hesitate to tell him about yourself so that he can explore all the possibilities available to him: sport, music, dance, drawing etc.

Nevertheless, watch out for “projections”! If you have always dreamed of taking piano lessons or learning the violin, but have never had the opportunity, you would certainly be delighted if your child starts. Conversely, if you have played and you keep a wonderful memory, you will be inexhaustible on the happiness that it provides and your child will withdraw some pressure. Remember that if the request does not come from him, he may become discouraged very quickly and you will have trouble convincing him to continue his instrument.

Know that there are adult music lessons: if it’s your dream, why not register for singing lessons or piano lessons? And why not, seeing you blossom into music, your child may be very eager to follow you in this project, you could form a beautiful duet.

7 good reasons to take home classes!

Whether you are beginner or advanced , whatever your level, you can progress with a particular teacher . By registering to take music lessons on Allegro Music, you will access a list of experienced professionals near you , who will come to your home to share their passion and accompany you in your learning. Discover 7 good reasons to go through Allegro Musique for your singing, piano or guitar lessons!

1. A wide choice of musical practices

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Allegro Music is not content to offer you the classical music theory lessons at home , or the private lessons of singing, guitar and piano. From the musical awakening for the youngest to the organ, to the computer-assisted music ( MAO ), the musical analysis and the learning of very diverse instruments (harp, ocarina, etc.), everything is possible!

2. A program adapted to your level and your objectives

Each music course taught by our teachers is adjusted according to the student . True pedagogical advisor, he always ensures that the lessons respect the initial expectations, and proposes alternatives if the satisfaction is not total (to change instrument, method or even professor).

Beginners will be able to learn a new instrument , while the more motivated will have access to personalized support to integrate the conservatory , for example. Our teachers compose with all levels and all ambitions!

3. Home-based music lessons, according to your own constraints

Everyone does not necessarily have the time to move to the music school, or even to respect schedules provided by the teacher. With Allegro Music, you are an actor of your own musical training . You choose the times at which you want to receive the music teacher from your home to practice. You keep the freedom to define the regularity of the appointments, according to your possibilities.

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4. Passionate and experienced music teachers

All the teachers integrated in the Allegro Musique national network , deployed throughout France, have been carefully selected . They are nearly 17,000 music teachers, available in many cities, not only in the largest! After registering on our site, we will identify for you profiles corresponding to what you are looking for (in relation to the instrument you wish to learn or the theme you wish to address). Everything will be done so that you get in touch with a motivated professional, with all the keys to make you progress .

4a. All our advisers are musicians

In parallel, the advisers with whom you talk as part of Allegro Musique are all musicians: they know your problems and know how to give you the best recommendations!

5. Tax-deductible service provision

By involving an Allegro music teacher in your home, you call on a state-approved organization that qualifies for a 50% tax reduction on services. In addition, we offer simple means of payment, which avoids too much administrative procedures (CESU dematerialized, checks, direct debits, etc.).

6. Flexible subscriptions according to your needs

In order to satisfy all the profiles, we offer several different subscriptions: the 12 months formula, giving access to attractive prices , benefits from a first period of 3 months without commitment. We give you time to discover our services before you start! If you wish, you can also choose a free formula without commitment , that you stop at any time. And if you do not have enough availability to project over several months, we also distribute lesson books , which give you total flexibility on the frequency of appointments.

7. Progress at your own pace, without forgetting the pleasure of music

The learning of a musical instrument can be scary, because it requires diligence and a certain rigor . By opting for the support of a home teacher, you give yourself every chance to succeed , thanks to personalized advice and a pedagogical approach tailored to your own needs.

6 habits to learn guitar and improve

These 6 precepts you will follow and a good guitarist you will become

Want to learn guitar or become a better guitarist? To do this, start by reviewing your basics because we do not build anything on wobbly foundations! Here are the 6 habits that all apprentice guitarists should take!

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1- Guitarist, a metronome you will use

To perfect speed and sense of rhythm, the first thing to do is to train yourself with a metronome . This will allow you to play any riff, plan or song at the speed you want. Mastering your tempo is also essential for anyone dreaming one day to record their songs in the studio. Finally, using a metronome is the assurance of having the right rhythm on your favorite song from the beginning and not having to correct a bad gaming habit later.

2- Guitarist, at fixed hours you will train

Consistency is the key to progress. As the morality of the famous fable of La Fontaine has taught us ” There is no point in running, you have to start at the right time “.

It is not by practicing 6 hours today and doing nothing the rest of the week that your training will be effective. Better to spread these 6 hours on the whole week. Idealist? Perhaps ! But it’s important to be able to follow a weekly rehearsal schedule even if an unexpected event will sometimes shake him up.

Keep in mind, that a little bit of work every day is better than a lot of work from time to time.

3- Guitarist, others will listen to you play

Active listening is what makes the difference between a simple string scorer and an excellent guitarist. Those who forget to listen to others tend to overplay and encroach on other musicians in a group .

Also, if you are tired of listening to only your friend Paul, reconnect with your natural curiosity and listen to other styles of music. Be bold! And do not forget to listen actively analyzing different techniques of play , it is a great way to train his musical ear and therefore to play his favorite songs in the ear.

4- Guitarist, others will watch you

Observation goes hand in hand with listening. While hearing others play has its benefits, watching them brings important elements that you would not have noticed otherwise. In our digital age, you can find hundreds of thousands of videos of guitarists playing their tracks in just a few clicks. So do not hesitate to take advantage of this incredible wealth of information!

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5- Guitarist, your weaknesses you will identify and you will challenge yourself

Becoming a good guitarist requires knowing how to criticize your own game, to identify your weaknesses. If an interval or a change of strings is a problem, practice to overcome this difficulty. You must constantly challenge yourself otherwise you risk stagnation for a long time. And even if you will inevitably reach a plateau phase, it is up to you to work to overcome it and progress.

6- Guitarist, a routine you will follow

Sometimes you have to leave aside the creative part to focus on a strictly mechanical approach that will work on the technical aspects of your game. Setting up a routine to work on a daily basis can be a good solution. For example :

  • agreements
  • ranges
  • arpeggios
  • Solo techniques

Become more familiar with the technical aspects will be an asset to compose or just be comfortable on all types of pieces. Practice a little each day and you will progress slowly but surely!

5 mistakes to avoid when teaching guitar to beginners

Do your students tend to progress slowly enough and find it frustrating? Do you feel that your students are not interested in your advice? Do you find it hard to motivate them and sometimes feel uncertain about how you teach and the content of your lessons? These are common problems when teaching novice musicians and especially young children . Giving lessons to apprentice guitarists is often difficult and generates some responsibilities. Find the right method, and they will learn to love the guitar by progressing regularly. Lack of pedagogy, and you will discourage them for sure.

So here are 5 mistakes that are waiting for you as a teacher, and some solutions to avoid them.

Mistake # 1: Using Linear Teaching Methods with Beginners

Most teachers apply a linear and logical method . An approach that does not always work with beginners who will progress very slowly and will end up giving up a lot, frustrated, as their teacher elsewhere. But yet many methods of learning the guitar are designed in this way and there is the problem. This type of method is perfect for a subject that obeys logic perfectly, like mathematics or science, but not for music where the pleasure, improvisation and creation aspect are often forgotten during a classical learning.

If you realize that this does not work on some of your students, do not hesitate to try to apply your own learning techniques and to try to diversify the exercises to make the course more playful and adapted to everyone, which seems to be the most effective. Among these methods, there may be mentioned the so-called “geometric” method.   With this approach, students quickly integrate the skills needed for the guitar from the beginning of their training.

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Mistake # 2: Use the wrong methods from the first class.

Among them we count the musical theory without putting in paratic, the placement of the fingers or the deciphering tablatures or partitions. In short, what a beginner looks for first is the contact with the instrument. It is therefore preferable to alternate theory and practice or to teach theory through practice so as not to tire students. Although the mastery of solfeggio and some theoretical knowledge is very useful, it is not necessary to overwhelm a new student with these topics from the first lessons. Why ? The main reason is that most beginners get bored quickly and lose interest in the theory. Of course, some students will have a good reaction to these teachings, but that will not be the case for everyone.

Some teachers feel irresponsible if they do not get into the thick of it right from the first lessons . However, the first goal should be to give confidence to his student on his abilities and enjoy playing properly. This will save you from making the third mistake.

Mistake # 3: Do not get your students to trust their abilities.

Apprentice guitarists do not know how to play guitar , how guitar lessons are played, and do not know their own skills. They just know if they will be able to learn to play their musical instrument but are not necessarily aware of their potential . Most beginners have the idea that you have to be naturally good at playing the guitar, which is often the cause of discouragement.  

The role of the teacher is primarily to rid them of these doubts as quickly as possible. But encouragement is not always enough. You will need to use methods that will provide your students with tangible evidence of their abilities and make them aware of the need for regular efforts.

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Mistake # 4: Use the same teaching methods with beginners and intermediate or advanced students.

As mentioned above, giving your students confidence should be the main goal of your first lessons. Once done, your teaching will have to be different from the one you bring to more advanced guitarists. For example, they will be more likely to engage in a tedious exercise, without sparing effort, in order to advance their game. Most beginners, meanwhile, will not always understand this. idea, especially if it involves practicing exercise for a long time. This is usually the case for young children or adults for whom guitar lessons are a relaxing time. Your methods will therefore have to adapt to your students. Concentrate on the idea that you are teaching more people than you are teaching music.

Mistake # 5: Give courses without de ned v éritable approach.

Communication with your students is essential. Knowing their tastes in music, their expectations, their objectives will help you to know them and therefore to implement a suitable learning.

This interaction with the student will only be more motivating and will encourage them to express themselves both orally and musically. When you offer them exercises that may seem boring from their point of view, do not hesitate to explain to them the importance of exercise and how it will be beneficial to progress more quickly.

In any case, if a student hangs from the start he will volunteer and practice regularly at home.

The final word

Avoiding these mistakes will have a positive impact for all your students. You will see them progress quickly and with much more enthusiasm. As for your reputation as a teacher, it will only get better!

7 tips to learn the piano faster in adulthood

Learning a new instrument is not easy, especially in adulthood. However, far too many people think that learning the piano is out of their reach simply because they are no longer children. However, no matter how old, anyone can learn piano, here are some tips to achieve it.

Choose a musical style

Jazz, classic, pop? Focusing on the style of music you prefer will be as beneficial as not to get bored, nothing is worse than working a piece you do not like! This will also allow you to find a teacher who specializes in this genre of music.

Find the right teacher

A good teacher will not just make you better, he will show you new ways to learn, practice and develop your skills. When we choose a teacher , we do not just take the cheapest or the closest to home. You have to take the time to know his references and to ask him questions, for example: what are his methods of teaching? Is he used to teaching adults?

Choosing between a piano and a keyboard

Then determine whether you prefer to invest in an acoustic piano or keyboard : both have their advantages and disadvantages . For example, an acoustic piano is usually much more expensive than a keyboard and the sound is not adjustable, which is not very popular in the apartment. Electronic keyboards, although less expensive, lack the characteristic touch of a real piano. However, they can connect headphones or play with sound tracks in the background. Both options are possible, depending on your use.

Become familiar with the notes

Learning to read music is very important when you learn the piano as an adult. If you do not master it yet it’s time to get started! Start with a few notes on each key and gradually increase the difficulty by adding more and more notes. It’s tedious, but essential to progress quickly!

Be patient and confident

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It can be difficult not to criticize yourself when you learn something new. This is particularly the case when you learn the piano as an adult . When you do not move as fast as you would have liked for example. Indeed, learning to play an instrument, especially the piano takes a lot of time. As long as you are aware of it and are patient, everything will be fine. Make sure to notice and rate your successes , even the small ones, so you do not get frustrated throughout the learning process.

Establish training habits

Learning to play an instrument is like going on a diet! You must pay attention to your progress, keep track of your workouts , and maintain a daily work schedule .

With this in mind, it can be very useful to keep a logbook to record exercises, successes and areas for improvement.  

Learn melodies by the ear

Knowing how to play by ear is not essential when playing classical, it is much more when playing jazz. Being able to hear what you are going to play in your head before you play it is the starting point to become good at improvisation!

The final word

Learning the piano when you are an adult can be intimidating. Do not let fear or frustration keep you from enjoying and enjoying your new hobby. Be patient and hardworking and you will make crazy progress!

5 rudimentary steps to learn the piano!

Like many, you may dream of playing the piano, but are held back by the amount of effort you will have to make to get there. Still, if you are really motivated you should not stop at this idea. Because if you do not become Mozart right now, that does not mean that you will not be able to play the songs that you like and have fun playing them! If you follow these 5 steps carefully and you can play your first songs pretty quickly.

Step 1: Know the notes well

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This is the essential step for any musician: knowing the notes and learning to read them on a staff . It is a tedious step that repels many beginners and yet it is the key to independence to be able to decipher any partition. All these symbols will seem strange to you at first, but just like for the alphabet, when the click will be done you will be able to read the notes naturally. Do, Re, Mi, Fa, Sol, La, Si, are the different notes, they are differentiated by their position on the staff. Their position indicates the tone in which you must play them.

Step 2: Getting to know your keyboard

A second important step is to know your instrument. The piano is composed of black keys and white keys. Blacks are used to play sharps (#) and flats (b) . On a keyboard, they are in groups of 2 and 3. A group of 5 black keys (1 group of 2 and 1 group of 3) and adjoining white keys is a range from Do (the white key on the left of the group 2 black keys) to get to Si.

Discover how to work the independence of both hands.

Step 3: Train to chain notes

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Start by playing Do – Re – Mi up and down until you are comfortable with the keys. Then do the same with Fa – Sol – La – Si. Do not hesitate to test different sequences to bring fluidity to the movements of your fingers on the keyboard.

Step 4: the durations of notes

Each note you read tells you how long you have to press the key . The most common are:

  • The round: it lasts 4 times.
  • The white: it lasts 2 times.
  • The black: it lasts 1 time
  • The eighth note: it lasts ½ time

In particular, it is these durations of different notes that make it possible to give rhythm to a piece, to make it more dynamic.

Step 5: Start with easy pieces

Now that you know how to decipher a score and know how to find the notes on the keyboard, it’s time to stretch your fingers on a song. For starters, for example, you can start on ” In the moonlight “. To be more comfortable, start by playing the song with both hands separately: the right hand for the melody then the left hand for accompaniment . When you are perfectly comfortable with both hands, play the two parts together. Getting your hands coordinated will be difficult at first, but working hard will make it easy! As you can tackle slightly more complex pieces to learn to master the chords, the other scales that that of C major and of course the different rhythms, ternary and binary.

The final word

As the famous saying ” There is no point in running, you have to start at the right time ” and it’s all the more true for the piano. Start with simple pieces such as the rhymes of your childhood for example, then progressively move to more ambitious songs as your technique progresses. Feel free to go through methods for beginners like the famous Rose Method for example, which will make you progress step by step.

5 good reasons to learn piano to progress in guitar

Many apprentice musicians choose to start learning music with a guitar. Often inexpensive, easily transportable, it is best known for being an easy instrument to learn. Indeed, it is not uncommon to start the guitar self-taught and quickly be able to play popular songs like the famous “Come as you are” of Nirvana or ” Wonderwall ” of Oasis. Nevertheless, learning the piano is not to be neglected when you want to progress in guitar and that’s why:

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Learn the piano, ideas to banish

Too often, the image conveyed by the piano lessons is that of a severe musical education with a teacher too strict closing the lid of the grand piano on the fingers of his students at the slightest false note. For others “piano” rhymes with “classical music” and is incompatible with “modernity”. Still others see it as too bulky an instrument that can not be transported. Think again ! The piano, like most musical instruments, evolves with its time and can adapt to all musical styles! Today you choose your piano teacher, your musical genre and the model you want to acquire!

Work your musical ear

Playing, or even listening to different musical instruments is a good way to improve your guitar playing and expand your musical universe. Playing the same notes alternately on the guitar then on the piano will help improve your musical ear. This ability will be even more appreciable when you try to compose: being able to transpose a melody you just improvised on the piano to the guitar and conversely enrich your compositions!

Learn to position yourself well on your musical instrument

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Unlike the guitar, the piano is not played from a tablature, but from a score consisting of staves, two keys and notes and other signs. The language in which a piece of piano is transcribed is the universal musical language: music theory .
By learning to decipher piano sheet music you acquire a great knowledge of solfeggio, which at a certain level becomes essential to progress. Centuries of music composed for the piano can not be learned in any other way.

Rest assured, reading a score is not that complicated and the advantage is, that the place of the note on the staff indicates the note to play on the keyboard! For the rest, it is enough to learn the meaning of each sign, as well as the transcription of the rhythm (silences, breaks etc …)

As you learn, you will discover completely different ways of playing and musical styles that will enrich your game and bring something new to your performance or song composition on the guitar. And then, learning music theory will also allow you to open your universe to instruments more or less close to the guitar, which will be very useful if you plan to play in a band. The more versatile you are, the more you will be able to understand each other’s instruments, and thus create harmony between them. However, keep that in mind: the guitar always sounds an octave higher than the score.

Perfect your way of composing

On a piano, being able to play a different part with each hand is a talent that few guitarists possess . It is thus easy to make a test with an upward melodic movement while the other goes down, then to transpose this idea with two guitars or a guitar and a bass. You will be able to solve your chord problems more easily, so it will be easier for you to compose a melody for stringed instruments or to staple stringed instruments on a pre-existing melody, simply because you will master both. Learning the piano will also help you to progress in improvisation .

Are you tangling the ropes?

It is difficult to understand the complex chords of a guitar without a little training and working fingers.

  1. The guitar has a musical register a little less wide compared to the piano.
  2. Secondly, the strings of a piano allow you to play ten fingers on a wider range of notes.
  3. Nowadays, pieces made of complex chords are not the most popular pieces. If your music uses mainly chords of power, you will quickly realize how much this same chord may sound weak with a piano in front of a guitar, even with a distorted amp.

However, with a piano it is possible to easily play polycord (ie several strings struck at the same time). Learning to play will make you hear chords that do not exist on a guitar, unless you have at least two playing at the same time. And practicing more elaborate chords will improve your arrangements, especially if you choose to compose for several guitars.

The final word

In terms of composition, it is always useful to know how to get out of your comfort zone. Thus, all the little fads that you adopt on the guitar will disappear once on the piano. It can also be convenient to always have a keyboard available to test different chords and melodies. All these experiments will bring changes to your playing on the guitar, and it will be better!

Ready to go? Start now!

5 received ideas that dissuade to learn the piano

You have always wanted to learn the piano but you have been discouraged every time? Are you convinced that you will never be able to play with both hands together? Do you think that learning to read music is long and tedious? Think again, everyone can learn the piano by giving them the means! For the little ones, as for the big ones, it is necessary to overcome these false beliefs on the learning of this instrument. Here are the 5 received ideas that dissuade to start at the piano!

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It takes talent!

This is probably the worst idea of ​​all! This notion of talent, this belief that wants you to believe that you were born with the ability to do something right or not, that is inscribed in your genes. This is particularly present in music. Yet no one woke up virtuoso one beautiful morning! Behind what is called “talent”, there is above all a lot of work and training ! The piano requires practice and daily efforts to be mastered. If a natural ability can help in learning, nothing will ever replace regular exercises.

You have to know how to read music!

Another common misconception about music that stops many novice pianists is the belief that we must learn to read the scores of all the pieces we want to play. It’s just wrong! If we compare music to language, we realize that to learn a new language, reading is the last thing we do. We first learn to listen, to speak. In the same way, playing music is more important than knowing how to read it. For example, to learn a popular piece, you do not need to have the score at hand. You can try to find the structure and the different chords by ear. By understanding this song structure, you will learn new songs in just a few hours. By practicing to play by ear, we can quickly play all that we hear: practice!

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It is complicated!

Have you ever tried to master a particularly difficult passage in a song without ever getting there and finally giving up after many attempts? Learning a new song with new rhythms requires your brain to absorb new information , so it needs to create new connections. It’s a bit like learning to juggle, we try with 3 balls, we fail at the start, then, by dint of training, we finally get there every time. It’s exactly the same with the piano! You have to train again and again until new connections are created.

I do not have enough time !

When learning the piano, it is better to play 5 minutes every day rather than practice 1h every 3 days. So, go for 5 minutes on your breakfast and you will not have any excuse not to put you there! In addition, remember point 3: no need to decrypt all partitions. So the next time you hear a song, try to understand the melody, listen to the different chords and the relationships between them. Do not forget the essential thing is to have fun and be consistent in learning!

It will take years!

And if you think that it will take years to succeed to have a correct level, think again, a regular training is the key to fast progress in music! We must find a source of motivation, a goal and each time it is reached to set a new one, and you will see you progress visibly!